Vol 1 Issue 3

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Art Astor has assembled a delightful collection of Americana that happens to include nearly every car ever loved by an American family
Art Astor has assembled a delightful collection of Americana that happens to include nearly every car ever loved by an American family Art Astor is the modern-day Don Lee.

Don Lee owned a broadcasting network during the 1920s and 30s; Art Astor owns a broadcasting group today. Don Lee pioneered television, developing receivers, transmitters, and actually broadcasting nearly a decade before NBC; Art Astor brought Wolfman Jack to American airwaves and is developing an international syndication for the Wolfman’s shows. Don Lee was a car enthusiast in Los Angeles; Art Astor is a car enthusiast in Orange County. Don Lee’s name is associated with Cadillac and racing cars; Art Astor’s collection is truly eclectic but Ford models do predominate.

Once upon a time a man named Bill Harrah had a collection in Reno. Any Ford aficionado could go there and see examples of every year and model of that favored marque lined up by year. Today, the Astor Collection fills that void as the photos on this page show with the row of Model A’s, the row of 1940s models and the line of 1949-1950 and 1951s or, as on facing page, the first years of the two-seater Thunderbird.

Some less usual cars are part of the collection too. A 1936 Ford isn’t that unusual but modify the chassis just a bit and clothe it in a made-in-Britain Jensen body with custom interior appointments (top and middle on facing page) and deliver it to Clark Gable — ah, well, that’s another matter entirely. Ford Werke, AG was conceived as an assembly plant that would be supplied with components by Dearborn and the Dagenham plant situated on the banks of the River Thames in England. However Ford Werke began production in Cologne in 1933, the same year der führer urged the German citizenry to "support home industry." By 1935 Cologne-built Fords were certified as one hundred per cent German manufacture.

On the far eastern side of Germany, in Dresden, coachbuilder Gläser Karosserie had developed a gorgeous convertible coupe body for the Allemagne-made Fords. One of those bodies, modified and mounted on an American-built Ford, with custom, and equally gorgeous, interior (facing page) found its way to America and into the Astor collection.

Closer to its Dearborn home, very close in fact, elegant custom coachwork was being created for Lincoln (and others) by LeBaron Carrossiers. This firm, a partnership of Ray Dietrich and Tom Hibbard, had commenced business in New York in 1920. By 1925 Dietrich was gone and in ’29 Briggs Manufacturing purchased it, moving the design function to Detroit. It was only natural that Lincoln would avail themselves of LeBaron services and what could be more grand than a pairing of LeBaron coachwork with the V-12 engine/chassis.

This 1936 Lincoln V-12 convertible limousine (left) is believed to have been part of the Wrigley fleet. Wrigley, founder of the Wrigley Company of chewing gum fame, was also an avid automobilist. Son Philip K. Wrigley inherited both the chewing gum empire and the passion for automobiles from his father who died in 1932. Thus this Lincoln V-12 very likely could have been part of Philip’s estate after his passing in 1977.

The Astor collection includes complete sets of Fords from the 30s, 40s and 50s.
While predominantly Ford, the collection is genuinely eclectic, including rooms full of the most popular American manufacturers. Art Astor has proven himself to be a populist, filling his halls with the cars American’s actually owned and loved.
Mr. Astor is in the broadcast business and celebrates that with an astonishing assortment of historic, electronic treasures.
Gläser Karosserie of Dresden, Germany constructed this rare 1935 Ford convertible
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